The Travesty That is Hollywood’s Bohemian Rhapsody
The Travesty That is Hollywood’s Bohemian Rhapsody By Sheril A. Bustaman I can’t tell you exactly when I started listening to Queen because it has been as much a part […]
Category Archives: sheril a bustaman
Diverse female representation in Gol & Gincu 2
The plot of two women coming together to help save a shelter for troubled female teens is already milestones more feminist compared to the first Gol & Gincu plot line.
The Good Citizen Project (Ep 2) – Deva Apparasamy
Sheril A. Bustaman speaks to Deva Apparasamy, a Hindu priest and also a university lecturer. He speaks about balancing being a priest and educator, what Diwali is about and also sheds light on the Hindu community in Malaysia.
Are Weddings the Beginning or the End of Marriage?
It is an unspoken rule that when two people get married, they absolutely must have a wedding reception under the guise of celebration and love.
The Good Citizen Project (Ep 1) – Faisal Saeed Al Mutar
Sheril A. Bustaman interviews Faisal Saeed Al Mutar, an Iraqi-born satirist, human-rights activist and writer who was admitted to the United States as a refugee in 2013.
Bradley Cooper Shines Through in Directorial Debut of ‘A Star is Born’
With 81 years and two other remakes between the two films, how does the narrative of this melodrama hold up with the woke audience of today?
‘We Are Animals’ Humanizes the Dehumanized in Kutupalong
We Are Animals is shot in a visceral and raw style with little narration from Zan himself which allows the visuals and the community within the camp to speak for themselves.
Francis Wolf’s ‘Kept In Ink’ is a feat in self-publishing
Kept In Ink is the non-fiction tale of Francis Wolf’s journey to Wat Bang Phra, a Buddhist monastery in the Nakhon Chaisi district of Thailand.
Sheril gets published in Buku Fixi’s final anthology ‘Little Basket 2018’!
Sheril wrote an essay in 2015 about detudungisation and now it’s been selected to be published in the Little Basket 2018 anthology!
Caught Up In The Bravery of ‘Crossroads: One Two Jaga’
The realism in this film is stark and evident. It is blatant and uncomfortable, making the audience shift in their seat at the reality of the situation in this country, yet also watch in sheer fascination at the brave delivery of the film.
‘Kim’s Convenience’ Sitcom is Proof that less is Truly More
The dynamics of the show prioritises development of the relationships between the characters rather than heavily focusing on their nationality or ethnicity.
