The Good Citizen Project (Ep 1) – Faisal Saeed Al Mutar
Sheril A. Bustaman interviews Faisal Saeed Al Mutar, an Iraqi-born satirist, human-rights activist and writer who was admitted to the United States as a refugee in 2013.
Sheril A. Bustaman interviews Faisal Saeed Al Mutar, an Iraqi-born satirist, human-rights activist and writer who was admitted to the United States as a refugee in 2013.
With 81 years and two other remakes between the two films, how does the narrative of this melodrama hold up with the woke audience of today?
The new government, if they want to stay true to the Malaysia Baru spirit, must acknowledge the Universal Periodic Review and take action instead of just noting it down.
I answer all your burning questions in my Talking Edge column at Options, The Edge.
Is this a parody of all the Malaysian cop movies, or is it a failed parody that ends up parodying itself? What?
What is interesting gets hyped up and the truth faces the risk of being pushed down and drowned out.
The sequel comes 13 years later. Is it as good as the first? Is it any good at all?
I answer all your burning questions in my Talking Edge column at Options, The Edge.
The opposition needs to fire Zahid as its leader. He has no place in Malaysian politics anymore.
We Are Animals is shot in a visceral and raw style with little narration from Zan himself which allows the visuals and the community within the camp to speak for themselves.